Ethnographic Experiments

19 April, 2013 - 22:30
Paddenhoek

Five not-really-ethnographic films. Suggesting experimental approaches to a traditional genre, they oscillate between gazing at alien lives/rituals/practices and deconstructing an alienated gaze. Dušan Makavejev’s ironic “Kulturfilm” discovers the tradition of beehive painting, László Moholy-Nagy gives us “hend-held access” to the daily lives of Roma on the outskirts of Berlin, and The House Is Black, Persian poet Forough Farrokhzad’s only completed film, tenderly yet insistently looks at life in a leper colony. Lisl Ponger’s déjà vu and Billy Roisz’ Chiles en Nogada are modern-day research palimpsests in which doubt is followed by reimagination: they take apart the common sounds and images of foreign worlds in order make a new composition.

Curated by Alejandro Bachmann & Alexander Horwath (Austrian Film Museum)

Slikovnica pčelara (The Bee-Keeper’s Scrapbook)

Dušan Makavejev
,
SR
,
1958
,
35mm
,
colour
,
8'

Großstadt-Zigeuner (Big City Gypsies)

László Moholy-Nagy
,
DE
,
1932
,
35mm
,
colour
,
16'

Khaneh siah ast (The House is Black)

Forugh Farrokhzad
,
IR
,
1963
,
35mm to digital
,
22'

The only film directed by trailblazing feminist Iranian poet Forugh Farrokhzad. She finds unexpected grace where few would think to look: a leper colony where inhabitants live, worship, learn, play, and celebrate in a self-contained community cut off from the rest of the world. Through ruminative voiceover narration drawn from the Old Testament, the Koran, and the filmmaker’s own poetry and unflinching images that refuse to look away from physical difference, Farrokhzad creates a profoundly empathetic portrait of those cast off by society – an indelible face-to- face encounter with the humanity behind the disease. A key forerunner of the Iranian New Wave, The House Is Black is a triumph of transcendent lyricism from a visionary artist whose influence is only beginning to be fully appreciated.

 

Farsi spoken, English subtitles

déjà vu

Lisl Ponger
,
AT
,
1999
,
35mm
,
colour
,
22'

Chiles en Nogada

Billy Roisz
,
AT
,
2011
,
video
,
colour
,
18'