Splicing the Militant cinema
Subversive Film (Mohanad Yaqubi & Reem Shilleh) is a cinema research and production initiative that aims to cast new light upon historic works related to Palestine and the region; to engender support for film preservation; and to investigate archival practices and effects. Other projects developed by Subversive Film to explore this cine-historic field include the digital reissuing of previously-overlooked films, the curating of rare film screening cycles, and the subtitling of rediscovered films. Subversive Film was formed in 2011 and is based in Ramallah and London.
In 1968, a group of young filmmakers decided to establish a film unit affiliated with the Palestinian Revolution newly active in Amman, Jordan. The unit was called Palestine Film Unit (PFU) and was working with Al Fatah, one of the Palestinian Libation Organization (PLO) factions that adopted armed struggle as the only way to liberate Palestine. When the PFU was established, not only did it furnish the revolution with cinematic vocabularies, but it also addressed the decades old dilemma of invisibility of the Palestinian people and would offer apparatus for reclaiming visibility. At a later time the work of the unit became a major part of the Palestinian revolutionary cinema. This presentation tracks life and work of the PFU and its members as an example of a militant cinema practice in the 1960’s and ‘70’s, when filmmakers believed cinema could change the world.
In het kader van het onderzoeksproject ‘Figures of Dissent’ (KASK/hoGent) en het EU project ‘The Uses of Art’ (confederatie l’internationale), in conjunctie met l’œil se noie, een tentoonstelling met werk van Eric baudelaire & Mathieu Kleyebe Abonnenc (KIOSK, 05/04 – 15/06/2014), i.s.m. KIOSK
Met de steun van de onderzoeksgroepen S:PAM & PEPPER (UGent), Kunstencentrum Vooruit, BAM instituut voor beeldende audiovisuele en mediakunst, Eye on Palestine, de ambassades van Mexico en Frankrijk.