Lizzie Borden carte blanche
Sat 4 February 2017 Tue 28 February 2017

www.cinematek.be

Mutantes - Punk Porn Feminism - Virginie Despentes (FR, 2009)
Sat 04.02.17 / 21:00
Introduced by Lizzie Borden.

She Had Her Gun All Ready - Vivienne Dick (US, 1978)
The Blank Generation - Amos Poe & Ivan Král (US, 1976)
Sun 05.02.17 / 17:00

She's Gotta Have It - Spike Lee (US, 1986)
Din 07.02.17 / 21:00

The Offenders - Beth B & Scott B (US, 1979)
Wed 08.02.17 / 19:00

The Brother from Another Planet - John Sayles (US, 1984)
Thu 09.02.17 / 21:00

Rue cases nègres - Euzhan Palcy (FR/MQ, 1983)
Sat 11.02.17 / 17:00

Sunday Bloody Sunday - John Schlesinger (UK, 1971)
Mon 13.02.17 / 19:00

Liquid Sky - Slava Tsukerman (US, 1982)
Wed 15.02.17 / 21:00

Downtown 81 - Edo Bertoglio (US, 1981)
Thu 16.02.17 / 19:00

Die dritte Generation - Rainer Werner Fassbinder (DE, 1979)
Fri 17.02.17 / 19:00

Il conformista - Bernardo Bertolucci (IT/FR/DE, 1970)
Sat 18.02.17 / 17:00

Desperately Seeking Susan - Susan Seidelman (US, 1985)
Sun 19.02.17 / 17:00

Los Sures - Diego Echeverria (US, 1984)
Mon 20.02.17 / 21:00

Near Dark - Kathryn Bigelow (US, 1987)
Tue 21.02.17 / 21:00

Black Panthers - Agnès Varda (US, 1968)
Ici et ailleurs - Jean-Luc Godard, Anne-Marie Miéville (FR, 1976)
Wed 22.02.17 / 21:00

Stranger Than Paradise - Jim Jarmusch (US, 1984)
Sun 26.02.17 / 19:00

She Must Be Seeing Things - Sheila McLaughlin (US, 1987)
Mon 27.02.17 / 21:00

Wild Style - Charlie Ahearn (US, 1983)
Tue 28.02.17 / 19:00

She's Gotta Have It
Spike Lee, 1986, US, 86'
The Brother from Another Planet
John Sayles, 1984, US, 108'
Ici et ailleurs (Here and Elsewhere)
Jean-Luc Godard, Anne-Marie Miéville, 1976, FR, 35mm, 54'

Here, an average family in front of their television. Elsewhere, Palestinian fighters, filmed during their daily activities, their training, their deaths. In 1974, Jean-Luc Godard en Anne-Marie Miéville presented a rereading of footage that was shot four years before in Lebanon, Syria and Jordan. As Gilles Deleuze wrote about Ici et ailleurs: “It is not a matter of following a chain of images, even across voids, but of getting out of the chain or the association. Film ceases to be 'images in a chain ... an uninterrupted chain of images each one the slave of the next', and whose slave we are. It is the method of BETWEEN, 'between two images', which does away with all cinema of the One.”

 

French spoken