FILM

A dizzying climb up a parachute tower in the snow. In the single-sequence film, Robakowski counts the steps, increasingly out of breath, until, after three minutes, one roll of film and two hundred steps later, he reaches the top. The maker is left alone with his camera, through which he becomes connected and entangled with the landscape and his own energy. A play between the limitations of the artist’s psychophysical body and the mechanical body of his camera.

Polish spoken