FILM

In the summer of 2015, Europe experienced the highest influx of refugees since the Second World War. By following a fictional group of refugees across Europe, The Migrating Image questions the overproduction of images surrounding real-life tragedies and deaths: military recordings, drone photographs, a 360° camera or satellite photographs — each stage of the horrendous trip is represented by a different image regime. By offering a seemingly objective and cold analysis of these images, Kruse delivers a biting critique.