FILM

“if borders and identity folds imploded, and if for example, the sound body of towns such as Paris or London would be playing together, if those sound biopsies, collected the same day at the same time, would refuse to just be simple ‘field recording’ — those sound selfies —, but would reveal to be a music, rid of its victories: composition, de-composition and re-composition of a sonic score illuminated by the voice of the mezzo-soprano Loré Lixenberg… you would be then listening to the [concerto for town and voice]: £pØ@n®diØ$n by Frédéric Acquaviva.”