FILM

In Slet 1988, the dancer Sonja Vukićević moves through the utopian architecture of socialist modernism — her body is an archive of the last mass performance in Yugoslavia. Her gestures echo past rhythms and present realities, intertwining with a teenage girl’s 1988 diary. They expose the shift from socialist collectivism to rising individualism — all while a new national collective body creeps in, soon to shape the future of the country.