FILM

Terminals exposes women’s corporeal vulnerability to techno-patriarchal culture through a filmic exploration of the working conditions of female workers at nuclear power stations. Voices of women describe their heightened exposure to the risks of lung cancer, miscarriage, Down syndrome or neurological damage, while deeply affecting images and sounds attempt to give tangible form to this intangible threat. Echoing the way that the nuclear workers’ bodies are harmed by exposure to radiations, the filmstrip is constantly overexposed, burned to the point of the image’s near-disappearance. (Maud Jacquin)