Undercurrents 1 - L’Arbre de l’Authenticité

2 April, 2025 - 20:005 April, 2025 - 13:30
MINARD (WED 2 APR) / Sphinx Cinema (SAT 5 APR)

“The story of Yangambi is not just about the Congo. It is the story of the global economy and its consequences for people and the environment. Yangambi’s geographical location and its database linked to the climatological observation of the equatorial forest, becomes a space through which I metaphorically question the consequences of human actions and our relationship with nature. The film explores the contemporary challenges of the Anthropocene, raising questions about shared heritage, the impact of colonisation on nature, and the responsibilities of Congolese, Western and global societies to find a way out of the ecological crisis.” ( Sammy Baloji)

For the opening night, a presale ticket is required. For guests and accredited a reservation is required.

MINARD
WOE/WED 2 APRIL 20:00
___

SPHINX CINEMA — ZAAL 3
ZAT/SAT 5 APRIL 13:30

 

In the presence of Sammy Baloji

 

L’Arbre de l’Authenticité

Sammy Baloji
,
BE, CG
,
2025
,
DCP

Nestled in Africa’s largest rainforest lies one of the many graves of the West’s efforts to control nations and nature — one of the world’s largest tropical agricultural research centers. Located on the banks of the Congo River, the Yangambi INERA Research Station was a booming scientific center in its heyday. Today, it is an amalgam of jungle and ruin, where questions of knowledge, power over it, and access to it linger. The Tree of Authenticity recounts the stigma of ecological destruction that began at the time of colonisation through the voices of two emblematic scientists who worked at Yangambi between 1910 and 1950: Paul Panda Farnana and Abiron Beirnaert. Their stories embody the legacies of colonial modernity and trace the origins of today’s environmental injustice.

The artist Sammy Baloji lives and works between Lubumbashi and Brussels. Since 2005 he has been exploring the memory and history of the Democratic Republic of Congo. His work is an ongoing investigation into the cultural, architectural and industrial heritage of the Katanga region, as well as questioning the impact of Belgian colonisation. His critical view of contemporary societies serves as a warning of the ways in which cultural clichés continue to shape collective memory, allowing social and political power games to continue to dictate human behaviour.

 

English subtitles