After studying sculpture on the west coast, Camille Billops moved to New York, where she earned a master’s of fine arts degree from the City College in 1973. Together with her husband James Hatch, she subsequently founded the Hatch-Billops Collection, an extensive archive of African American cultural history. They began their career in filmmaking in the early 1980s with Suzanne, Suzanne, the first in a series of films dealing with Billops’s family. The film profiles her niece, Suzanne Browning, as she struggles to come to terms with the legacy of her abusive, now-deceased father, and her escape into heroin addiction as a respite. Suzanne is compelled to understand her father’s violence and her mother’s passive complicity, who suffered at her husband’s hands as well, as the keys to her own selfdestruction. After years of silence, Suzanne and her mother are finally able to share their painful experiences with each other in an intensely moving moment of truth. Emotionally raw and wrenching, Camille Billops autobiographical approach has been described as “a means to a new black documentary style” (B. Ruby Rich, Sight & Sound).
“I’ve always liked Camille Billops’s films. Suzanne Suzanne is one of my favourite films, because more than any other films by independent black filmmakers, she really compels people to think about the contradictions and complexities that beset people. We’re not used to women artists of any race exerting that kind of relationship to art.” — Bell Hooks
English spoken, no subtitles
Copy courtesy of The New York Public Library and Third World Newsreel.
